Inspired by encounters with people on the margins of society, the performance dissects trauma and revival, pain and transformation. In a devotional setting of sinister rituals and acts of liberation, Madonna and Jesus appear as trash prophets. Surrounded by Paradise-Lost-iconography they deliver prayers for the outcasts and blessings for queer bodies. After their 2018 success with Baby Paradise, provocative German bambule.babys is returning to the Fringe with its new production. Alluding to feminist philosophy and politics of care, the piece is dedicated to all those homesick for a better world.